Dark Temese 

Swim with your mouth shut

This project is about the commons and bearing witness by exploring my local landscape of the Thames Estuary. 

The photographs I take is a personal reflection and help in translating my experiences into something tangible, a process dictated by tidal times, seasons and the weather. As a keen open water swimmer my research in to local water health made for an unsettling feeling and led to the choice I took to stop swimming in these dirty, polluted and over-exploited waters over a year ago.  

After doing research on pollution this estuary has been the victim of for many centuries through industrialisation, population growth and mismanagement. It was only in the 50’s when parts of the river was declared biologically dead, meaning it was believed that the water body could not sustain any wildlife. Whilst in the 70’s it was affectionately called the ‘open sewer’.

While the Thames Tideway Tunnel, which is being build as we speak, is expected to help improve water quality especially around London, other environmental factors continue to threaten the health of wildlife and human health in the Tidal Thames. These include climate-change-induced changes in water temperature, the concerning impacts of chemicals, and a rising tide of plastics, and the possibility of these entering in to the food chain. 

Still today high levels of toxic metals are being observed in the area, for example anthropogenic silver, lead, cadmium, arsenic, are being detected in coastal and estuarine sediments and mainly originates from sewage sludge, effluent discharges, mining, smelting, and industrial waste as well as ironically from possible photographic sources and of course landfills, whoever thought putting landfills next to waterways was ever going to be a good idea, like the ones we have here on Two Tree Island, Leigh-on-Sea, and Tilbury just down the road, they are toxic time bombs that through flooding and eroding are now leaching in to the Thames. There are well over thousand sites like this across the country, so South Essex is not an isolated area with these issues. 

For the past three years I have been concerned and aware about the environmental footprint of my own artistic practice. Consequently the approach of my darkroom practice is fundamental to this project. I collect seaweed and sea spinach during my photography field trips, which are then utilised to make a photographic developer witch to develop my black and white films with. These rituals of using sustainable and natural materials serve as a connection between the moment, place and the final piece.

I am following a path of shiny slippery bladderwrack, combed across the concrete jetty. In the distant you can hear fog horns and heavy ship engines turning in an even rhythm. 

The jetty has eroded and a gaping hole is staring back at me. I guess the sewage now enters the waters much closer to the beach than intended.

Absurdly I find myself attracted to these brutal formations that conceal the emergency storm overflows and their sinister functions whilst stretching out towards the river’s mouth. 

When the tide creeps in slowly swallowing these totem-like architectural structures, you would barely know of their existence  unless you carefully observed the movement of the water surface creating curious lines and shapes.

The children’s paddling pools neatly positioned directly next to the emergency storm outlets will sink under high tide soon again. Local swimmers will find these invisible pontoons under the higher water and use them as diving platforms.

The barnacle and seaweed covered man-made constructions have become part of our eco system and form this familiar landscape where the sky is reflecting in the glistering mudflats creating a perfect backdrop for walking along them, to admire the estuary views during ebb and flow.

I play with this tension between the beautiful and the dirty truth surrounding the true meaning of these outlet points that regularly spews raw sewage and road surface water directly into our bathing waters.

The environment agency measures the water quality only during the summer season. Regardless of the overwhelming popularity and change in water use culture where swimming, kayaking, paddle boarding now takes place all year around. 

People getting on with their daily lives without having much of idea or choosing not to acknowledge that the blue flags awarded are not just, and these waters desperately need our attention, and for the government to sort out this toxic legacy now.

Photographed at Thames Estuary; Westcliff-on-Sea, Chalkwell and Leigh-on-Sea  2021-2022.

Using Format